★ ★ ★ ★ ★
more reaction than review more asian than american more indie than industry ... the goal of being one in a million movie review sites on the web should not be to regurgitate press releases about popular films, but to strive to become useful by presenting biased, impassioned, outlandish opinions so that like minds can find you
Where Have All the Flowers Gone (Na shi hua kai) [2002] • China
This is a wonderfully surreal 90 minutes spent with interesting characters involved in interesting situations, not so much story wise but in each of the set-pieces on display. It's an experimental film using it's own internal logic telling its story in non-linear fashion but it's easy to follow because it's engaging. One of the reasons Chinese independent films can be so good is that the directors of many of them, like this one, are able to employ top tier actors. Zhou Xun is one of mainland China's best contemporary actresses and Xia Yu is no slouch. He's the captain of goofy suave. The film hops around space and time, sometimes during a single conversation and one of the most remarkable features of this production is the sound design. It remains a constant through all the jumping around making it easy to hang on to the roller-coastering ride. Very well done film.
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