Hear Me 听说 (Ting Shuo) [2009] • Taiwan

Hear Me 听说

This light-hearted rom-com charmed its way into my top ten of the year. It's not a cinematic masterpiece by any stretch of the imagination. It's just a rom-com, delightful and enjoyable for the characters, if not the story. I like fluff as much as the next person, if it's done well.

Boy meets girl. Girl is preoccupied caring for her handicapped sister. Boy gets girl. Handicapped sister wins the Olympics. It's feel-good from head to toe, and it's beautiful that all the love is delivered in sign language.

Xiao Peng is a swimmer in training for the Deaflympics. Her sister, Yang Yang, does everything she can for her and wrestles between being over-protective and neglectful. Tian Kuo sees Yang Yang one day while delivering food to Xiao Peng's swim team facility. He sees Xiao Peng communicating with Yang Yang in sign language and makes an assumption. Take it from there.

Tian Kuo's parents must be a professional comedy team in real life because they have comic timing down pat and an assured sense of what comic relief is.

Hear Me was Taiwan's highest-grossing local movie of 2009. A good time was had by all in this house. I have no further defense.

★★★★★

Director: Fenfen Cheng
Starring: Ivy Chen, Eddie Peng, Michelle Chen, Lo Bei An, Lin Mei Xiu

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The Most Distant Course 最遥远的距离 (Zui yao yuan de ju li) (2007) • Taiwan

This is one of those slow and dreamy ones. The story of three different people, each on their own journey, whose lives overlap may be a familiar one but this version has its own unique angles  and just enough depth of character to keep the viewer engaged. All three characters are wonderfully portrayed.

Tang (Tz-yi Mo) is on a road trip capturing sounds and recording them onto cassette tapes from all the places he had hoped to visit with his girlfriend before she broke up with him. He sends the tapes to the last known address he has for her but she has already moved on. Xiaoyun (Lunmei Kwai) now lives at the address and receives the mysterious and unidentified tapes. Unhappy with her present conditions in life, Xiaoyun sets out to find and visit all the places the sounds are coming from with the outside hope of maybe meeting the guy who is sending them.

Tang meets up on his travels with a psychiatrist, played charismatically, if a bit larger than the rest of the film's characters, by Siao-guo Jia, who is also suffering a broken heart and doing some soul searching of his own. The two of them share some odd experiences and some moments of sad humor while Xiaoyun's parallel journey is filled with many beautiful sights along the Taiwan countryside. Everything comes together in a very bittersweet ending that's neither happy nor sad but wide open to possibility.

★★★★

Director: Jing-Jie Lin
Starring: Tz-yi Mo, Siao-guo Jia, Lunmei Kwai

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One Day (You yi tian) [2010] aka As I Walked Out One Evening • Taiwan

This is a strange one, in a good way, for the most part. It's a lovely and meditative story of blossoming and innocent young love that jumps back and forth in time and in and out of dreams. It gets a little weird, then a little confusing, and then almost shoots itself in the foot by hinting at some plot to get in the way of the story. I'm not sure that it happened but it seems to have, and it appears to relate to the melodramatic question a young woman asks her mother: "If you could go back to the past and meet dad again, would you still marry him ... but you know that he would have an accident later?"

Nikki Hsin-Ying Hsieh, looking a lot like Zhou Xun from certain angles, plays the young woman with the beautiful name, Singing. She works on a ferry that shuttles recruits between the port of Kaohsiung and the military base of Kinmen Island. One night during the trip all the lights go out on the ferry and Singing appears to be alone. Then an Indian man with an axe, screaming without subtitles, chases her. She's rescued by a young soldier and the loopy dream logic begins. The soldier tells her that they are not in the real world. A horse walks by. Singing's hair is shorter and she's in a study hall in Taipei sitting next to the soldier only now he's a student. They fall in love but keep waking up together, or falling asleep and dreaming together, on the ferry. The future, the past, what's a dream and what's reality blur to the point that it doesn't matter. Until that little plot point rears it's head. There's a little crying and some running, two things that suggest melodrama, but this is a mood piece much more than a drama. The dreamlike quality is emphasized by the fact that almost all the scenes take place on or near the water. The cinematography is often muted and the soundtrack mostly noodling piano.

I think it's a mistake to try and discover meaning in a film like this, as the director or as a viewer, even though it's filled with innumerable possible symbolisms. This is not a commercial love story. It's far too down tempo and poetic. But it is a love story and these kinds of films require a nice couple for us to love, and the two leads provide that here, with extra credit given to the ever watchable Nikki Hsin-Ying Hsieh in her film debut.

The beautiful theme song that plays as the end credits roll is sung by Tarcy Su, a singer and actress I just discovered in the remarkable film Blue Cha Cha.

★★★★

Director: Chi-Jan Hou
Starring: Bryan Shu-Hao Chang, Nikki Hsin-Ying Hsieh, Gwen Yao

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Blue Cha Cha 深海 (Shen hai) [2005] • Taiwan

It's a great pleasure when watching a film you're enjoying and knew nothing about to recognize that beyond being a good film you are also experiencing the work of a skilled director. The upside to this is that there's a good chance you'll have at least a few more good films in your future. Such is the case with Blue Cha Cha.

The film begins with Ah Yu, played by Taiwanese singer Tarcy Su, being released from prison. We aren't told why she was there or how long she was in for. She makes her way to the home of a weathered motherly woman named An-an, played by veteran actress Yi-Ching Lu, whom she had come to know in prison. An-an takes her in and gives her job at the hostess bar she operates. After an arranged date doesn't pan out the way Ah Yu expected it to, she quits the bar and takes a job at a computer factory. Her relationship with a young supervisor she meets there, along with her ongoing and anchoring relationship with An-an, is the meat of this film.

Blue Cha Cha requires patience, and yes, that's code for it being an art house type film that moves slowly and doesn't offer a lot of detail as to why things are happening. Beyond a somewhat ambiguous statement near the end of the film revealing why Ah Yu was in prison we never learn anything about her past, and throughout the film it is clear that she has no idea nor concrete desires for her future. She just drifts along, medicated, mentally unstable yet always trying to be nice, hoping each day will offer some measure of fulfillment. Blue Cha Cha isn't a low-budget indie film, though. It has excellent production values and looks very good. The direction is fluid and creative and the cinematography is great.

As I always say, these kinds of films need good characters and good performances in order to succeed. Blue Cha Cha delivers them. Yi-Ching Lu, who has been in a number of films by Ming-liang Tsai, is always reliable. She's tough and unafraid to do almost anything as an actress. But the real highlight here is Tarcy Su. She is able to make us care for a character we never learn much about. We're not always clear about what is going on inside her head but we're always sure she is experiencing something. It's very surprising to me how well she is able to articulate a confused yet committed mind without offering any insight as to the details of the matter. There's a scene where she is laying in bed with a man, staring at him face to face as he drifts in and out of sleep. There is a frightening authenticity to her gaze which offers no explanation as to its genesis.

The ending is peculiar, and depending on how you interpret a couple of things ambiguously discussed and stated it could actually result in a big blunder. I don't care. I'm not a fan of films which attempt an explanation for the mental instability of their characters. I appreciate that Cheng leaves it as a lingering issue until the very end of the film, and I doubly appreciate that he leaves it ambiguous enough to ignore if it is something we find questionable.

★★★★★

Director: Wen-Tang Cheng
Starring: Tarcy Su, Yi-Ching Lu, Leon Dai, Wei Lee, Cheung-Ying Lin

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Taipei Exchanges 第36個故事 [2010] • Taiwan

Taipei Exchanges stars one of Taiwan's most promising and popular young actresses, Lunmei Kwai, who I like quite a bit, but it's disappointing to see her in such a manufactured and saccharin product. Taipei Exchanges has the narrative structure and impact of a pop music promotional video. Everything is so shiny and polished nothing sticks. Everything floats by meaninglessly, accompanied by what sounds like schmaltzy canned piano doodling from someone trained in writing jingles for laundry detergent commercials. In between doodles there will actually be a music video while we watch Lunmei Kwai think about an éclair or something equally fascinating.

Kwai plays Doris who's opened a café with her sister Josie, played by newcomer Zaizai Lin. Lin looks a lot like Kwai except with a curve to her nose, and she looks good in high-top sneakers and tights. We know the type: cute slacker with cool hair and hip t-shirts. Doris is all business and Josie is a dreamer. Josie wins in the end by turning Doris into a dreamer who learns there is more to value in life than making money selling a cup of coffee.

The title, Taipei Exchanges, plays on two aspects of the film. One has to do with the exchange of goods or services and the other is the exchange of stories that often accompany the goods or services exchanged. When Doris first opens the café a bunch of her friends bring her junk from their attics as housewarming gifts. Most of it is recognized as junk and thrown away but a few things that didn't even catch their attention enough to be thrown away turn out to be of interest to some of their customers. And thus begins the shtick. Since they didn't pay for any of the stuff they won't sell it but will take something in exchange for it. The bartering always follows the same routine. The first proposal is rejected as thoughtless and the comeback is appreciated for its sappy wonderfulness.

The film is narrated by an anonymous voice because the characters aren't thick enough to hang a story on. The café used in the film was built specifically for the film, reportedly backed by Taipei's tourism authorities, and is now open for business as a real coffee shop and tourist attraction. Taipei Exchanges is the feature film directing debut of television ad director Ya-chuan Hsiao. That about sums it up.

★

Director: Ya-chuan Hsiao
Starring: Lunmei Kwai, Zaizai Lin

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Millennium Mambo 千禧曼波 (Qianxi manbo) [2001] • Taiwan

I can only imagine that at some point Hsiao-Hsien Hou found himself with a mad crush on Shu Qi and decided to make a film for her, or of her ... or to her ... or something. People can quibble all day long on whether Hou's anti-cinema springs from genius or pretention, but a film like this ought to be able to escape such discussion because it's really nothing more than a love poem to, or of, or for ... or something ... a beautiful actress. This is a Shu Qi vehicle from top to bottom and the film rests on her shoulders, in her hair, on her lips, in her eyes, on her hips, and everywhere else about her über-photogenic self. Marry that to the fact that one of the best cinematographers in the business, Mark "Ping Bing" Lee is shooting this film and you're going to end up with gorgeous. Add a contemporary throbbing techno soundtrack and you get a hypnotic, slow, empty, and depressing film that's pretty close to cool.

I happen to think Shu Qi is a fine and very intelligent actress. I also like slow, empty, and depressing arthouse films if the characters appeal to me so everything works out as far as I'm concerned. If you don't like Shu Qi you probably won't like this film. There's no real plot to speak of and only a thin story about a woman who likes to hang out in nightclubs, smokes a LOT, does drugs and has crummy sex with her loser boyfriend, meets a gangster, loses a gangster ... fade to black. Awesome.

★★★★

Director: Hsiao-Hsien Hou
Starring: Shu Qi, Jack Kao, Chun-hao Tuan, Yi-Hsuan Chen, Jun Takeuchi
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Beyond Hollywood

What Time Is It There? (Ni na bian ji dian) [2001] • Taiwan, France • Ming-liang Tsai

This is the best plotless film where nothing happens I've ever seen. The film focuses on three characters, their loss and loneliness. If there is a story arc it's that each of them finally reaches out to make a connection, a sexual connection, with varying degrees of success. Throughout the film we simply observe them doing, well ... not much of anything, but practically every scene is cut so that you wish you could stay with it for at least a moment longer, to be with that person in that situation for just a bit more time. You can't make a film like this without masterful execution of the crafts of acting, cinematography, and direction. Check, check, and check. I was stunned by this film ... even without considering its many symbolisms and allegories.

★★★★★

Blue Gate Crossing (Lan se da men) (2002) • Taiwan

Dreamy, Romantic, Tender. OK We're given those on the poster. They are not the words I would use. Instead, I'd go with: Adorable, Sweet, Sensitive. This is a well-acted, well-directed, well-written movie, a joy to watch.

It took me a few minutes to warm up to the characters, but only a few. We meet the two girls first, a girly girl who seems to be in control, and a brooding follower. Not much to go on with that. Girly girl spots sensitive boy and wants him but insists that brooding girl act as the go-between. The film focuses on the friendship that develops between brooding girl and sensitive boy after that. Brooding girl becomes razor-sharp, adorably-mixed-up-commando-teen when paired with sensitive boy—who falls in love with her.

This film (the director?) does a remarkable job of capturing teens as they are: insecure and passionate; as easily hurt as they are to fall in love. They provoke each other without knowing why and then act like it never happened. One of the many highlights of this film is when the boy and girl, having run out of verbal ammunition, begin a shoving match. It goes on for some time and then they stop. They talk again. The director cuts to a scene of the two of them straightening up their surroundings together. He makes many decisions like that to keep us focused on the big picture: shit happens, and then something else happens. There's no stopping it.

I have to point out that watching this Taiwanese film with English subtitles added quite a bit to the adorableness of it. For example, after brooding girl sets up sensitive boy with girly girl, who knows he likes brooding girl, (you have to see the film to see how that happens), sensitive boy walks girly girl home. After an uncomfortably done good-bye, girly girl calls out after sensitive boy as he's about to mount his bicycle and says: "Zhang Shihao, (pause) can you date with me?" I don't know exactly what was said in Taiwanese, but that odd translation seemed to capture the moment perfectly.

I smiled from ear to ear while watching this movie from the time sensitive boy was introduced until the very end. This is an exceptionally well done film, off-the-charts-delightful.

★★★★★