A Good Rain Knows 호우시절 (Ho woo shi jul) aka Season of Good Rain [2009] • South Korea, China

It would be a spoiler if I were to state one of the main reasons I love this movie. I can say, however, that the film is very much about a Chinese experience, and the fact that it is directed by a Korean is what makes it interesting. There are other good things about the movie so I'll work with them and save the spoiler.

A Good Rain Knows is nice to look at. It's photographed in crisp and bright colors and makes great use of it's locale, Chengdu, the capital city of Sichuan Province. It's got dancing in a downtown square, bamboo groves, even a scene with a panda bear. Gao Yuanyuan as Mei, a tourist guide in a Chengdu park, has never looked more radiant. Jung Woo-sung is a South Korean heartthrob but his acting ability is curious. He always seems nervous. He plays an architect, Dongha, who travels to Chengdu on assignment and runs into Mei, an old and dear friend. There is no plot to speak of, just the unfolding of their past and present relationship that gives the film its purpose.

Dongha, a Korean, and Mei, a Chinese, communicate almost exclusively in English. Since their relationship is presented as fragile and tentative, and since Jung is a nervous actor anyway, having them communicate in broken but understandable English is a stroke of genius from director Hur. If you're bothered or unmoved by the stilted verbiage the film won't work.

In typical Hur fashion, and this film sees him in perfect stride, not much happens. We're presented with a couple characters testing the water to see if, when, and how love will factor into their relationship. The lens slowly gets closer, revealing inner layers, until a small explosion occurs. And in typical Hur fashion this explosion takes place far beneath the surface. We know it's a big one but all we see are the rippling aftershocks (hint) on the surface.

Hur is a fascinating director. In some ways his films are just cheesy romances with questionable soundtracks, but he possesses an emotional intelligence and an eye for subtle soul-searching details that make his films powerful when he gets it right. He gets it right this time. A good rain knows when to fall.

★★★★★

Director: Jin-ho Hur
Starring: Woo-sung Jung, Yuanyuan Gao, Byung-seo Kim

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The Good, The Bad, The Weird (2008) • South Korea

My expectations for this film were through the roof. It's basically a Korean all-star game: directed by Ji-woon Kim, he of A Bittersweet Life and A Tale of Two Sisters fame (not to mention The Quiet Family), and starring three of Korea's finest (or at least most popular) actors, Woo-sung Jung, Byung-hun Lee, and (one of my favorite actors, Korean or otherwise) Kang-ho Song.

Unlike a number of people, I have absolutely nothing, in or on principle, against remakes. But this isn't a remake. Let's call it remake-esque. This one's got Weird, the other one had Ugly. And they do different stuff in this one, the treasure is different, and some other stuff is different, but the basic story arc is similar.

The production values are top notch, the direction creative and self-assured, the special effects worth the time and money spent on them. I love the kill scenes as directed by Kim, especially one of the first ones where a tough guy is running from train car to train car, bursting through doors like they don't exist and then BAM! He's five feet behind where he was. You have to see it to appreciate it, I guess. The timing and the focus on the result instead of the impact makes the impact seem more impactful. Whoever edited this film did a great job.

Woo-sung Jung plays the Good, and he's a cute guy who oozes goodness, so that's good. His character is perhaps a bit under-played/under-developed but that's the nature of Good, isn't it? Byung-hun Lee as the Bad has a little bit too much contemporary in his swagger and look. He's more arrogant than Bad, but we're supposed to dislike him so that's good too. Not surprisingly, it's Kang-ho Song, as the Weird, who steals the show. He runs through this movie like a poultry item (I can't remember if the saying is about a chicken or a turkey) with its head cut off but never misses a beat. He's having a good time and makes sure that we do too. He's able to do things that many other actors are incapable of like delivering predictable lines with equal parts sincerity and irony so that we won't even think of groaning out loud. He's so adorably slightly plump and likeable that even when ... well, I don't want to give it away ... we like him. We really do.

Caught up in all the fun and excitement I almost forgot that, with very few exceptions (especially in these modern times of technological machismo), movies with lots of gun fights are really fucking stupid.

★★★